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Rurouni Kenshin - Wikipedia. Rurouni Kenshin. Cover of the last Japanese manga volume. The story begins during the 1. Updates are occasional patches and add-ons or removal of information and/or features of a game.Created by Alfred Gough, Miles Millar. With Austin Butler, Ivana Baquero, Manu Bennett, Aaron Jakubenko. Series of adventures, war, and evil that occur throughout the. Meiji period in Japan (1. Bakumatsu, known as Hitokiri Battosai. After his work against the bakufu, Hitokiri Battosai disappears to become Himura Kenshin: a wandering swordsman who protects the people of Japan with a vow of to never take another life. Watsuki wrote this series upon his desire of making a sh. The manga revolves around themes of atonement, peace, and romance. The manga initially appeared in Shueisha's Weekly Sh. The complete work consists of 2. Studio Gallop, Studio Deen and SPE Visual Works adapted the manga into an anime series which aired in Japan from January 1. September 8, 1. 99. Besides an animated feature film, two series of original video animations (OVAs) were also produced. The first adapted stories from the manga that were not featured in the anime, while the second was a sequel to the manga. Several art and guidebooks for Rurouni Kenshin have been published and writer Kaoru Shizuka has authored three official light novels which were published by Shueisha. Many video games have also been released for the Play. Station, Play. Station 2, and Play. Station Portable consoles. A successful live- action theatrical film adaptation was released in 2. The manga, as well as the first light novel and first guidebook, has received a complete North American release by Viz Media. Rurouni Kenshin is subtitled . The TV series was later licensed in North America and released on DVD by Media Blasters. The first two seasons aired on the United States Cartoon Network as part of the Toonami block, while the third season was only featured on DVD. ![]() The English- language versions of the OVAs, as well as the film, were originally released as Samurai X in North America, although the original name was included on the later DVD and Blu- ray Disc releases. The Rurouni Kenshin manga has over 7. Japan multiple times. The series has received praise and criticism from various publications for manga, anime and other media, with both having received good response on the characters' designs and historical setting. In the early Meiji era, after participating in the Bakumatsu war as the assassin . When arriving in Tokyo in the 1. Meiji (1. 87. 8), he meets a young woman named Kamiya Kaoru, who is in the middle of a fight with a murderer - who claims to be the Hitokiri Batt. Kenshin decides to help her and defeats the fake Batt. After discovering that Kenshin is the real infamous assassin, Kaoru offers him a place to stay at her dojo noting that he is peace- loving and not cold- hearted, as his reputation implies. Kenshin accepts and begins to establish lifelong relationships with many people such as Sagara Sanosuke, a former Sekih. However, he also deals with his fair share of enemies, new and old, including the former leader of the Oniwabansh. Feeling that his friends may be attacked by Shishio's faction, Kenshin goes to meet Shishio alone in order to defeat him. However, many of his friends, including a young Oniwabansh. After his first meeting with him, Kenshin realizes he needs to get stronger to defeat Shishio without becoming the cold assassin he was in the past and returns to the man who taught him kenjutsu, Hiko Seij. He finally accepts his friends' help and defeats Shishio in a close fight; Shishio dies being engulfed in flames due to the rise in his body temperature caused by his severe burns. When Kenshin and his friends return to Tokyo, he finds Yukishiro Enishi, who plans to take revenge by killing his friends. At this point it is revealed that, during the Bakumatsu, Kenshin had been married to a woman named Yukishiro Tomoe. She had initially wanted to avenge the death of her fianc. It is then discovered that Tomoe was part of a group of assassins that wanted to kill Kenshin, and Tomoe is betrayed by them and captured to use as bait. Kenshin rushes to rescue her, killing both his assailant and accidentally Tomoe, who jumps in at the last minute to save Kenshin from a fatal attack. Wanting to take revenge for the death of his sister, Enishi kidnaps Kaoru and leaves behind a corpse doll bearing a stunning resemblance of Kaoru for Kenshin to find and momentarily grieve over. Once discovering that Kaoru is alive, Kenshin and his friends set out to rescue her. A battle between Kenshin and Enishi follows and when Kenshin wins, he and Kaoru return home. Four years later, Kenshin has married Kaoru and has a son named Himura Kenji. Production. Watsuki described the first Rurouni story, echoing the . According to Watsuki, the final Rurouni Kenshin series was not composed entirely from his free will. Describing the creation of historical stories as . An editor approached Watsuki and asked him to make a new historical story. With the historic concept, Watsuki intended to use the Bakumatsu time period from Moeyo Ken (Burn, O Sword) with a story akin to Sugata Sanshir. Watsuki experimented with various titles, including Nishin (Two- Hearts) Kenshin, Yorozuya (Jack- of- All- Trades) Kenshin, and variations of . Watsuki recalled experiencing difficulty when condensing . He said that he . Watsuki describes that second Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters. Although, Watsuki developed various one- shots prior to the official serialization from the series, he mentioned he based the series from Crescent Moon in the Warring States, a story which introduced Kenshin's fighting style and his teacher. While naming the characters, he based some of their names from places he used to live such as Makimachi Misao's . Due to problems with the characterization from Sagara S. He felt very good with Sait. He added that he wanted to make a story different from other comics as he considers the main character Kenshin is neither a good nor evil character. Since volume 7, Watsuki mentioned the series took a more adult tone due to the various conflicts in the story, but commented it was influenced by the sh. Through the series' development, Watsuki was deciding if Kamiya Kaoru's character was going to die prior to the end. However, he later decided to keep Kaoru alive as he came to the conclusion he wanted a happy ending and that the manga is aimed at young readers. He planned to finish the story in approximately 3. Kenshin's departure from Tokyo in a similar manner to the one from volume 7. Kenshin's enemies would have been people from Kyoto who would send an assassin to kill Kenshin. When the Oniwabansh. In that time, there was a survey, and the series had become very popular. The arc was only meant to be serialized for one year, but it ended up being one year- and- a- half long. This arc was also done to develop Kenshin's character as he considered him not to have a weak point. Watsuki commented that his artistic skills were honed with this arc, as he could draw everything he wanted to. The last arc from the manga was meant to be much shorter, but it turned out to be a fairly long one as he could not present it in a simplistic manner. This arc was originally made by Watsuki prior to the series' start, having already thought about how would Kenshin's scar had been made. Watsuki said that he consulted a director and that he felt the anime would improve after that point. Watsuki reported receiving some letters of protest against the voice actor change and letters requesting that Ogata portray Seta S. Watsuki said that some people disliked . Watsuki said that because the first half of the original storyline that existed by the time of the production of Volume 1. Japan was . Watsuki added that it was obvious that the staff of the first season . Another theme is power which is mostly seen by Sagara Sanosuke and Myojin Yahiko. However, like Megumi, these two characters are also influenced by the main character as they wish to become stronger in order to assist Kenshin across the plot. Additionally, the series discourages revenge as seen in the final arc when Yukishiro Enishi believes he succeeded in getting his revenge on Kenshin but starts having hallucinations of his late sister with a sad expression on her face. A single chapter follow up to the series that follows the character of Yahiko My. Left out of the original volumes, it was added as an extra to the final kanzenban release. The series began in the June 2. Jump SQ., which was released on May 2, 2. Shueisha released the first tank. It was collected into one volume on October 3, 2. The first volume of the series was released on October 7, 2. Viz uses the actual ordering of Japanese names, with the family name or surname before the given name, within the series to reduce confusion and because Rurouni Kenshin is a historical series. It was produced by Aniplex and Fuji TV, and was animated from episode 1 to 6. Studio Gallop, whereas the episodes from 6. Studio Deen. It started airing in the US on the Cartoon Network as a part of the Toonami Block on March 1. Episodes 6. 3- 9. DVD release.! Entertainment) available to stream on Netflix. Animated films. The samurai is trying to start a revolution to overthrow the Meiji government. The film was directed by Hatsuki Tsuji and it premiered in Japan on December 2. The Japanese DVD was released on August 2. Director Kazuhiro Furuhashi, Studio Deen, and the original cast returned after nine years (except Hirotaka Suzuoki who died in 2. Sait. The first of them, Rurouni Kenshin: Trust & Betrayal, collectively known in Japan as Tsuiokuhen(. It is set during the downfall of the Tokugawashogunate and during Kenshin's job as an assassin. Aniplex of America released it on Blu- ray in 2. North America. It is composed of two episodes and was later edited into a theatrical film. The first episode was originally released on December 1. Japan and the second on March 2. 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Kessler [email protected] 13 November 2014 This paper was originally submitted to the InterNIC and posted. Customer Service. Track My Order. Frequently Asked Questions. International Shipping Info. Mon-Fri, 9am to 12pm and 1pm to 5pm U.S. Mountain Time. Set up your own PBX with Asterisk. Introduction. Important: To log stuff to the console, either use Verbose(), or use No. Op(). but the latter will only work if you set . This means that they function only to connect two endpoints together. Examples of SIP Proxies. Vocal.? Check. Freeswitch. Which environment to choose? ![]() To set up Asterisk, several solutions are available: Install a bare Linux distro, and install the whole shebang from source. Install a bare Linux distribution that supports RPM or other packagers, and install the. Red Hat RPM packages for Asterisk and the driver. You no longer have to worry about kernel. Unlike other Linux distributions used to. Asterisk, no unnecessary components that might compromise security or. Ideal for newbies. X (Lynx could do the job, I guess). I don't. like A@H because it hides the internals (hence, not a good tool to learn. Asterisk works), and installs a lot of stuff that is probably useless. Sugar. CRM, etc.)How to connect Asterisk to the POTS/PSTN (ie. I don't. know of a good source to know what the major changes are in each branch and. UPGRADE*. txt files in tarballs. CHANGES. file. Installing from packages. Here's how to install Asterisk on Ubuntu from packages. Asterisk and dahdiapt- get install asteriskapt- get install asterisk- config. Installing . Take a look at Open. Vox's Troubleshooting. Analog cards. If you get . You may need to manually install/upgrade tools like. Cygwin installation. Install build essentials in Cygwin. Download Asterisk source (I used 1. This document provides an introduction to SNMP traps. It shows how SNMP traps are used and the role they play in the management of a data network. ESXi and vCenter Server 5.1 Documentation VMware vSphere ESXi and vCenter Server 5.1 Documentation vSphere Installation and Setup Updated Information. You. may need to install tar manually as it is missing in some Cygwin default. Don't use windows unzip for as it will create some abnormal. Run bootstrap it will report any missing or lower version libs, prerequisite. You manually need to download and compile termcap, ncurses. Run configure. Make menuselect and disable all non- required modules as it will save. Run make. Resolve any missing reported by make. After successful make run make install. Once make install okey you can run asterisk on Cygwin console and also. Cygwin/usr/sbin/. Once you have compiled it you can copy asterisk. Cygwin installed but you have to care about following: You must have to create required directories structure like Cygwin on. You must need to copy required Cygwin DLLs to new systems \windows\system. You can identify required DLLs by trying to run asterisk. DLLs one by one. I did just for my experiment and fun and was able to make successful SIP. However I suggest to use SIPx, Yate. Free. SWITCH if you want to stick with windows as that have native windows. PABX or Vo. IP switch. One more thing previously there was a project named as Ast. Win which was maintaining. Asterisk. for windows. I am not aware about current state of project but, I have. Asterisk for windows version 1. If anyone need it. I will send the software as attachment. Tips to compile Asterisk. Since Asterisk is often updated, packages found on the Net are usually a. Here are some. tips I gathered: Set a hostname, eg. These cards generate huge amounts. Why. is my card getting an IRQ miss?)Look in /proc/interrupts to ensure. IRQ all to itself. If it is sharing an IRQ, move the card. PCI slot and see if that resolves the conflict. Read Asterisk PCI bus Troubleshooting. Once the board is installed, boot up, and run . The Zaptel. interface is a kernel loadable module that presents an abstraction layer between. If yours uses those tools, check its documentation on how to. Zaptel (eg. For instance. X1. 00. P cards installed or a TDM4. P with two FXO modules, you would have two. To check that those two modules were loaded successfully. While. Asterisk comes with many sound prompts in the main source distribution, the. If you would like to expand. Asterisk system. this package is essential. Imagine a ZAP channel (regular phone line). When a SIP. packet comes in, it has the target extension in the packet so instead of sending. If the target extension. SIP phone, basically telling. It should not share an IRQ with another. Download the Linux source code and headers for the kernel version you. Download and untar the Zaptel source code: wget http: //downloads. Compile the Zaptel module: cd zaptel- 1. Edit /etc/default/zaptel to match your hardware. Create a user ? Even if we do not have a PRI line at this time, it is. Parts of the. Asterisk code depend on the libraries included in the libpri package. Therefore. any time we install libpri, we should recompile Asterisk. Therefore, to read changes made to this. Asterisk console. Zaptel will NOT have to. To test the card, run ? Load modules wcfxo (zaptel loaded automagically?)NEEDED? On each tick every active zaptel channel reads and 8 bytes of data. With an analog connection you are not synced to the. And some systems don't have Zaptel hardware at all. Even a digital. card may be used for other uses or is simply not connected to a provider. Zaptel. cards are also capable of providing timing from a clock on card. Cheap x. 10. 0P. clone cards are sometimes used for that pupose. If all the above fail, you can use the module ztdummy to provide timing alone. It will work with most systems and kernels. You can check the zaptel timing source with zttest, which is a small utility. It runs in cycles. In each such cycle it tries. If zaptel is not loaded or you. If you lack a timing device. Eitherwise it will just give you in. Also try running it with the option. The reason you. don't need this to register/receive calls to/from your Vo. IP provider, is that. Asterisk is just an SIP client and the use of ? If yes, 1. 4, 1. 6, 1. Direct media mode and NATCan RTP packets flow directly between SIP clients when there are on either. NAT (ie. If yes, are some features. How many ports does RTP need? RTP and 1 for RTSP? How to use a port other than UDP 5. To avoid breaking attempts while still allowing remote SIP clients to REGISTER. SIP clients/servers to INVITE: Create SRV record in DNS? How to scan UDP ports from the Net? How to monitor hacking attemps?/tmp/asterisk/log/event. The combination of the ubiquitous GSM air interface. Vo. IP backhaul could form the basis of a new type of cellular network that. In plain language, we are working on a new kind of cellular network that. This technology can also be used in private network applications. PBX, rapid deployment, etc.) at much lower cost and complexity than. GSM. To indicate a hangup, the. Party Control. In this case, edit zapata. Strangely enough, asterisk/indications. Chan. Is. Avail. When called with the name of the channel, Chan. Is. Avail(). returns the status in the AVAILORIGCHAN variable (AVAILSTATUS isn't reliable). The problem with Dial() is that it's. Calling Party Control. I didn't find any settings in. If this is not available either from your telco, it means that your telco. Disconnection Tone to signal a hangup). Also, it is. currently configured only for standard U. S. Enabling this. US telcos may prevent Zaptel from working. A. work- around is to use system(/bin/sleep 1. Repeating a phone number. Here's how to have Asterisk repeat a phone number the French way: Put localized sound files in /var/lib/asterisk/sounds/fr/Edit /etc/asterisk/asterisk. Here's. how to call Asterisk from XLite, and record a message in low- and high- quality. This will greatly. Sangoma Voice. Time USB stick. Level too low. Choppy sound. Provided the issue occurs even with a single call, ie. Also check. its in/out gain settings. If it still fails, try its own echo canceller. OSLEC. if your IP phone or IP PBX supports it. Cheap or badly- configured telephone where the voice coming from the. Things. to try: Lower the incoming volume on your IP phone so the microphone doesn't. Try a different IP phone. Use. a headset. More information: Writing dialplans. The meat of Asterisk resides in extensions. A function, on the other hand, is used to get or set values, and. Of course. setting a dialplan function completely ruins this nice dichotomy. A function needs to be evaluated inside. Function names. are always written in uppercase letters. Surprisingly, functions are written. This is necessary because strings are not always bounded by quotation. The pathname. for this message is /var/lib/asterisk/sounds/vm- isunavail. The pathname for this message. Specific applications (e. This feature is now officially. Basically, this means that while it is currently still supported. Anyone who continues to use it is making their. Here's an example of While/End. While: exten => 1. Set(i=1). exten => 1. While($? You need to launch asterisk with the. For debugging purposes you can type . Asterisk communicates with the AGI program over stdin and stdout. The arguments. are passed directly to the AGI program at execution time. The AGI program must be flagged as executable in the filesystem. The path. is relative to the Asterisk AGI directory, which is at /var/lib/asterisk/agi- bin/. Returns - 1 on hang- up or if the program requests a hang- up; returns 0 if. This application sets the following channel variable upon completion: AGISTATUSThe status of the attempt to the run the AGI script text string, one of SUCCESS. Should your AGI program. EAGI() instead of AGI(). The incoming. audio stream is provided on file descriptor 3. File descriptor 3 is freely assignable. As an alternative you may execute PHP scripts using System(). The second script will take care of stopping/editing/starting. Note that. Say. Number() is used to read a . Ulaw files are smaller than WAVMake sure say. FR. If not, download this style from Asterisk's site. Make those changes so that number couples that start with a leading. If caller ID didn't report their number. IVR should ask them to type a number where they can be called back. Next, they should be able to leave a voice message to explain what their. Next, Asterisk should send an e- mail to an alias that includes all the. Finally, anyone involved should be able to listen to the voice message. Some users are off- site, and will use SIP phones. Net. CLI > database put cidname 1. At best, you'll only get sound one way when calling an. Asterisk. Edit sip. To. disable debug mode, run . Web. RTC 1. 0: Real- time Communication Between Browserscreate. Offer. The create. Offer method generates a blob of SDP that contains an RFC 3. Media. Stream. Tracks attached to this. RTCPeer. Connection, the codec/RTP/RTCP capabilities supported by this implementation, and parameters of the ICE. DTLS connection. The options parameter may be supplied to provide additional control over the offer generated. Session descriptions generated by create. Offer. MUST be immediately usable by set. Local. Description without causing an error as long as. Local. Description is called reasonably soon. If a system has limited resources (e. The session descriptions MUST remain usable by set. Local. Description without causing an error until at least the end of the fulfillment callback of the returned promise. Creating the SDP MUST follow the appropriate process for generating an offer described in . As an offer, the generated SDP will contain the full set of codec/RTP/RTCP capabilities supported by the session (as opposed to an answer, which will include only a specific negotiated subset to use). In the event. create. Offer is called after the session is established, create. Offer will generate an offer that is compatible with the current session, incorporating any changes that have been made to the session since the last complete offer- answer exchange, such as addition or removal of tracks. If no changes have been made, the offer will include the capabilities of the current local description as well as any additional capabilities that could be negotiated in an updated offer. The generated SDP will also contain the ICE agent's. Fragment. password and ICE options (as defined in . These certificate fingerprints are used in the construction of SDP and as input to requests for identity assertions. If the RTCPeer. Connection is configured to generate Identity assertions by calling. Identity. Provider, then the session description. SHALL contain an appropriate assertion. The process of generating an SDP exposes a subset of the media capabilities of the underlying system, which provides generally persistent cross- origin information on the device. It thus increases the fingerprinting surface of the application. In privacy- sensitive contexts, browsers can consider mitigations such as generating SDP matching only a common subset of the capabilities. When the method is called, the user agent MUST run the following steps: Let connection be the. RTCPeer. Connection object on which the method was invoked. If connection's . Like create. Offer, the returned blob of SDP contains descriptions of the local Media. Stream. Tracks attached to this RTCPeer. Connection, the codec/RTP/RTCP options negotiated for this session, and any candidates that have been gathered by the ICE Agent. The. options parameter may be supplied to provide additional control over the generated answer. Session descriptions generated by create. Answer MUST be immediately usable by set. Local. Description without causing an error as long as set. Local. Description is called reasonably soon. Like create. Offer, the returned description SHOULD reflect the current state of the system. The session descriptions MUST remain usable by. Local. Description without causing an error until at least the end of the fulfillment callback of the returned promise. The generation of the SDP MUST follow the appropriate process for generating an answer described in . These certificate fingerprints are used in the construction of SDP and as input to requests for identity assertions. An answer can be marked as provisional, as described in. In order to successfully handle scenarios where the application wants to offer to change from one media format to a different, incompatible format, the RTCPeer. Connection. MUST be able to simultaneously support use of both the current and pending local descriptions (e. As a result, when the method is invoked, the user agent MUST run the following steps. Let description be the first argument to. Local. Description. Let last. Offer be the result returned by the last call to create. Offer. Let last. Answer be the result returned by the last call to create. Answer. If description. Answer. If description. Offer. If description. Offer, reject the promise with a newly. Invalid. Modification. Error and abort these steps. This API changes the local media state. When the method is invoked, the user agent MUST return the result of setting the. RTCSession. Description indicated by the method's first argument. Alternatively, if the. RTCPeer. Connection has previously authenticated the identity of the peer (that is, there is a current value for peer. Identity ), then this also establishes a target peer identity. The target peer identity cannot be changed once set. Once set, if a different value is provided, the user agent MUST reject the returned promise with a newly. Invalid. Modification. Error and abort this operation. The RTCPeer. Connection. MUST be closed if the validated peer identity does not match the target peer. If there is no target peer identity, then. Remote. Description does not await the completion of identity validation. Parameter. Type. Nullable. Optional. Descriptiondescription. RTCSession. Description. Init. This method can also be used to indicate the end of remote candidates when called with an empty string for the candidate member. The only members of the argument used by this method are candidate, sdp. Mid, sdp. MLine. Index, and. When the method is invoked, the user agent MUST run the following steps: Let candidate be the method's argument. Let connection be the. RTCPeer. Connection object on which the method was invoked. If both sdp. Mid and sdp. MLine. Index are. Type. Error. Return the result of enqueuing the following steps. If remote. Description is. Invalid. State. Error. Let p be a new promise. If candidate. sdp. Mid is not null, run the following steps: If candidate. Mid is not equal to the mid of any media description in. Description, reject p with a newly. Operation. Error and abort these steps. Else, if candidate. MLine. Index is not null, run the following steps: If candidate. MLine. Index is equal to or larger than the number of media descriptions in remote. Description, reject p with a newly. Operation. Error and abort these steps. If candidate. ufrag is neither. Operation. Error and abort these steps. Use. candidate. ufrag to identify the ICE generation; if the ufrag is null, process the. ICE. generation. If. ICE candidate. generation. If candidate could not be successfully added the user agent MUST queue a task that runs the following steps: If connection's . A browser might be configured to use local or private STUN or TURN servers. This method allows an application to learn about these servers and optionally use them. This list is likely to be persistent and is the same across origins. It thus increases the fingerprinting surface of the browser. In privacy- sensitive contexts, browsers can consider mitigations such as only providing this data to whitelisted origins (or not providing it at all.)No parameters. Return type: sequence< RTCIce. Server> get. Configuration. Returns a RTCConfiguration object representing the current configuration of this. RTCPeer. Connection object. When this method is called, the user agent MUST return the. RTCConfiguration object stored in the . This includes changing the configuration of the ICE. Agent. As noted in . As defined in . If a script wants this to happen immediately, it should do an ICE restart. Set the ICE Agent's prefetched ICE candidate. If the new ICE candidate pool size changes the existing setting, this may result in immediate gathering of new pooled candidates, or discarding of existing pooled candidates, as defined in . If the scheme name is not implemented by the browser, or if parsing based on the syntax defined in . If a script wants this to happen immediately, it should do an ICE restart. However, if the. ICE candidate pool has a nonzero size, any existing pooled candidates will be discarded, and new candidates will be gathered from the new servers. TURN permissions). For every. RTCRtp. Sendersender in. senders, set. If sender. rtcp. Transport is set, set. Transport. state and. Transport. transport. For every. RTCRtp. Receiverreceiver in. If. receiver. rtcp. Transport is set, set. Transport. state and. Transport. transport. For every. RTCRtp. Transceivertransceiver in. 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The former term is very often applied to groups affiliated with a church (whether or not they actually occupy the choir) and the second to groups that perform in theatres or concert halls, but this distinction is far from rigid. Choirs may sing without instrumental accompaniment, with the accompaniment of a piano or pipe organ, with a small ensemble (e. Baroque piece), or with a full orchestra of 7. The term . In typical 1. Structure. Most often choirs consist of four sections intended to sing in four part harmony, but there is no limit to the number of possible parts as long as there is a singer available to sing the part: Thomas Tallis wrote a 4. Spem in alium, for eight choirs of five parts each; Krzysztof Penderecki's Stabat Mater is for three choirs of 1. Other than four, the most common number of parts are three, five, six, and eight. Choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing (although the American Choral Directors Association. Accompanying instruments vary widely, from only one instrument (a piano or pipe organ) to a full orchestra of 7. Many choirs perform in one or many locations such as a church, opera house, or school hall. In some cases choirs join up to become one . In this case they provide a series of songs or musical works to celebrate and provide entertainment to others. Role of conductor. The primary duties of the conductor or choirmaster are to unify performers, set the tempo, execute clear preparations and beats (meter), and to listen critically and shape the sound of the ensemble. Many choral conductors use their hands to conduct. In the 2. 01. 0s, most conductors do not play an instrument when conducting, although in earlier periods of classical music history, leading an ensemble while playing an instrument was common. In Baroque music from the 1. Concertmaster). Conducting while playing a piano may also be done with musical theatrepit orchestras. Communication is typically non- verbal during a performance (this is strictly the case in art music, but in jazz big bands or large pop ensembles, there may be occasional spoken instructions). However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be sung. Conductors act as guides to the choirs they conduct. They choose the works to be performed and study their scores, to which they may make certain adjustments (e. Choral conductors may also have to conduct instrumental ensembles such as orchestras if the choir is singing a piece for choir and orchestra. They may also attend to organizational matters, such as scheduling rehearsals. In churches of the Western Rite the accompanying instrument is usually the organ, although in colonial America, the Moravian Church used groups of strings and winds. Many churches which use a contemporary worship format use a small amplified band to accompany the singing, and Roman Catholic Churches may use, at their discretion, additional orchestral accompaniment. Liturgical function. Chief among these are the Anglican and Roman Catholic churches; far more common however is the performance of anthems or motets at designated times in the service. Mixed choirs (with male and female voices). This is perhaps the most common type, usually consisting of soprano, alto, tenor, and bass voices, often abbreviated as SATB. Often one or more voices is divided into two, e. SSAATTBB, where each voice is divided into two parts, and SATBSATB, where the choir is divided into two semi- independent four- part choirs. Occasionally baritone voice is also used (e. SATBar. B), often sung by the higher basses. In smaller choirs with fewer men, SAB, or Soprano, Alto, and Baritone arrangements allow the few men to share the role of both the tenor and bass in a single part. Male choirs, with the same SATB voicing as mixed choirs, but with boys singing the upper part (often called trebles or boy sopranos) and men singing alto (in falsetto), also known as countertenors. This format is typical of the British cathedral choir (e. Peterborough Cathedral, St Paul's, Westminster Abbey). Female choirs, usually consisting of soprano and alto voices, two parts in each, often abbreviated as SSAA, or as soprano I, soprano II, and alto, abbreviated SSA. Men's choirs, or Male Chorale, usually consisting of two tenors, baritone, and bass, often abbreviated as TTBB (or ATBB if the upper part sings falsetto in alto range). ATBB may be seen in some barbershop quartet music. Children's choirs, often two- part SA or three- part SSA, sometimes more voices. This includes boy choirs. Boy choirs typically sing SSA or SSAA, sometimes including a tenor part for boys whose voices are changing. Indian music choral group, takes the elements of western music in Indian music. Madras Youth choir is a pioneer in this. Choirs are also categorized by the institutions in which they operate: Church (including cathedral) choirs. Collegiate and university choirs. Community choirs (of children or adults)Professional choirs, either independent (e. Some choirs participate in competitions. One kind of choir popular in high schools is show choir. Middle school and high school is an important time, as it is when students' voices are changing. Although girls experience voice change, it is much more drastic in boys. A lot of literature in music education has been focused on how male voice change works and how to help adolescent male singers. One researcher found that boys who enjoy choir in middle school may not always go on to high school choir because it simply doesn't fit into their schedules. However, without a men's choir also, this could be making the problem worse by not giving boys as many opportunities to sing as girls. It is the conductor's decision on where the different voice types are placed. In symphonic choirs it is common (though by no means universal) to order the choir behind the orchestra from highest to lowest voices from left to right, corresponding to the typical string layout. In a cappella or piano- accompanied situations it is not unusual for the men to be in the back and the women in front; some conductors prefer to place the basses behind the sopranos, arguing that the outer voices need to tune to each other. More experienced choirs may sing with the voices all mixed. Sometimes singers of the same voice are grouped in pairs or threes. Proponents of this method argue that it makes it easier for each individual singer to hear and tune to the other parts, but it requires more independence from each singer. Opponents argue that this method loses the spatial separation of individual voice lines, an otherwise valuable feature for the audience, and that it eliminates sectional resonance, which lessens the effective volume of the chorus. For music with double (or multiple) choirs, usually the members of each choir are together, sometimes significantly separated, especially in performances of 1. Venetian polychoral style). Some composers actually specify that choirs should be separated, such as in Benjamin Britten's War Requiem. Some composers use separated choirs to create . Studies have found that not only the actual formation, but the amount of space (both laterally and circumambiently) affects the perception of sound by choristers and auditors. The original Greek chorus sang its part in Greek drama, and fragments of works by Euripides (Orestes) and Sophocles (Ajax) are known from papyri. The Seikilos epitaph (2c BC) is a complete song (although possibly for solo voice). One of the latest examples, Oxyrhynchus hymn (3c) is also of interest as the earliest Christian music. Of the Roman drama's music a single line of Terence surfaced in the 1. However, musicologist Thomas J. Mathiesen comments that it is no longer believed to be authentic. This tradition of unison choir singing lasted from sometime between the times of St. Ambrose (4th century) and Gregory the Great (6th century) up to the present. During the later Middle Ages, a new type of singing involving multiple melodic parts, called organum, became predominant for certain functions, but initially this polyphony was only sung by soloists. Further developments of this technique included clausulae, conductus and the motet (most notably the isorhythmic motet), which, unlike the Renaissance motet, describes a composition with different texts sung simultaneously in different voices. The first evidence of polyphony with more than one singer per part comes in the Old Hall Manuscript (1. Renaissance music. Throughout the era, hundreds of masses and motets (as well as various other forms) were composed for a cappella choir, though there is some dispute over the role of instruments during certain periods and in certain areas. Some of the better- known composers of this time include Guillaume Dufay, Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dunstable, and William Byrd; the glories of Renaissance polyphony were choral, sung by choirs of great skill and distinction all over Europe. Choral music from this period continues to be popular with. 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